Green Day is an American punk rock band formed in 1986 by vocalist/guitarist Billie Joe Armstrong and bassist Mike Dirnt. For much of the group’s career, the band has been a trio with drummer Tré Cool, who replaced former drummer John Kiffmeyer in 1990 prior to the recording of the band’s second studio album, Kerplunk (1991). In 2012, guitarist Jason White became an official member after having performed with the band as a touring member since 1999.
Green Day was originally part of the punk scene at the DIY 924 Gilman Street club in Berkeley, California. The band’s early releases were with the independent record label Lookout! Records. In 1994, its major label debut Dookie (released through Reprise Records) became a breakout success and eventually shipped over 10 million copies in the U.S. Green Day was widely credited, alongside fellow California punk bands Sublime, Bad Religion, The Offspring, Blink-182, and Rancid, with popularizing and reviving mainstream interest in punk rock in the United States.
“Gold on the Ceiling” is a song by American rock band The Black Keys. It is the third track from their seventh studio album El Camino and was released as the record’s second single on February 25, 2012. The song was certified platinum in Australia and Canada.
Two videos were shot for the song. The first, directed by Reid Long, features footage from the band’s concerts, as well as candid shots of them on tour.
Will Hermes of Rolling Stone called the song’s keyboards “a serrated organ growl backed up with a SWAT team of hand claps” and cited it as an example of Danger Mouse’s prowess as a producer and co-writer.
Summarizing the song, Hermes wrote, “It’s Sixties bubblegum garage pop writ large, with T. Rex swagger and a guitar freakout that perfectly mirrors the lyrics, a paranoid rant that makes you shiver while you shimmy.” John Soeder of The Plain Dealer labeled it one of the album’s finest and said that it sounded like a hybrid of Norman Greenbaum’s “Spirit in the Sky” and Gary Glitter’s “Rock and Roll Part 2”.
Harley Brown of Consequence of Sound called the song “bombastic, slightly sleazy” and said that it “best sums up The Black Keys’ almost unbelievably consistent musicianship and success”.
Melissa Maerz of Entertainment Weekly said that the song, “with its swarm-of-bees organs and acid-trip gospel harmonies, could be a lost Nuggets gem”. Randall Roberts of the Los Angeles Times, writing about the song’s retro stylings, said that it “sounds as if it’s existed forever”.
Sam Richards of NME said that the song’s “brilliantly demented cowboy glam holler… is boosted by the band’s new trio of female backing singers wailing for all they’re worth”.